Oct 23, 2009 | Fashion, Media

The recent
Portland Fashion Week showcased 5 days of fashion with a conscience. From printing promotional material on recycled paper printed with soy-based inks, to a nail-free bamboo runway, to
LED lighting which required no electrical tape – thus saving approximately 3000 rolls from ending up in landfills – everything about the event was consistently on-message. Sponsorship included
Lufthansa,
SPIN Magazine,
24Notion, and
Fashion Wire Press – demonstrating that a growing mainstream interest in supporting green fashion. We were fully in support of the gift bag: a reusable tote stocked with goodies from
Boots,
Honest Tea,
Lush, and local fave
Missionary Chocolates vegan truffles!Held in the northwest corner of the city at the Vigor Industrial Shipyards, local, national, and international designers congregated to present their Spring/Summer 2010 Collections and continue pioneering the standard for eco-friendly clothing and ethical business practices worldwide.


WEDNESDAY: THE NEW ACTIVEWEAR
Wednesday, Oct. 7 saw movement-friendly activewear such as Gersemi of Sweden and Icebreaker of New Zealand, but it was local Portland-based Defyance Clothing which was the night’s standout. The label showcased a collection combining high-performance, high-tech fabrics with fashion, fit and function – not a tiny feat, considering the Northwest’s rep for baggy and BORING(!) gymwear. Rendered in lightweight, sporty fabrics with UV- and moisture-protection designed for the guy on the go, pockets with closures so your gear doesn’t fall out, and tiny details like epaulets and contrast-piping, the design of the garments was well-thought-out and beyond your average casual sportswear. (above from left: Ready to Roll Matinee, Wyatt Orr, Keith McQueen jewelry, Lizzie Parker, Jonano – via Fashiontribes & OSI Imaging)

THURSDAY: STUDENT WORK AND EMERGING DESIGNERS COMPETITION
Portland Art Institute seniors presented pieces from their collections, as did Canadian designer Suzabelle, and and former Hollywood costume designer Paloma Soledad (responsible for the miniature outfits in Coraline) who won the Emerging Designers Competition, as decided by audience vote. It was likely the designer’s intricate corsets, oozing sex appeal, that won over the audience…and her memorable finale garment: a burgundy leather corset layered over a tattered ombre-dyed silk wedding gown, jangling with vintage Victorian keys, and styled with a black lace hat sprouting deer horns and a pair of chained wrist shackles. She also paired her darkly romantic corset pieces with Gothic insect-inspired jewelry by local designer Keith McQueen. Portland-based Janeane Marie also showed a noteworthy collection full of sleek, wearable, and chic pieces in black and white, with sophisticated details like draped fabric ropes, layered sleeves, and graphic color-blocking. Sweet Skins, a new local organic line, showed basics in denim and cotton, a cute, perfectly-cut jumpsuit, and some adorable wrap tops. (from left: Gersemi, Defyance (the black jacket turns blue when you stretch it!); Suzabelle; Janeane Marie, Paloma Soledad – via Fashiontribes & OSI Imaging)

FRIDAY: COLOR! DETAIL! LOVE IT.
Friday standouts include local fave Idom (who showed at PFW last year) and Seattle-based Wyatt Orr. Idom’s intricate detailing on many pieces – breathtaking contrast piping undulating on the busts and rolled fabric roses at the shoulders – and the designer’s bold use of color proved popular. Wyatt Orr showed impeccably-tailored piped jackets for both men and women, ethereal chiffon dresses layered over neon slips, and a showstopping silvery dress with a large orange-rimmed circle cut out on the skirt. The rest of the night proved uneven, with collections lacking continuity and cohesiveness, but all pieces appeared very wearable. Jesica Milton, in particular, showed a gorgeous crinkle-print black-and-white fabric incorporated into a few of her chic dresses that was fashion-forward and utterly covetable. (from left: Idom, Jesica Milton, Wyatt Orr, Jason Matlo, Jantzen Swimwear)
SATURDAY: BIKE-FRIENDLY, SWIMWEAR, AND ESTABLISHED DESIGNERS

The Ready to Roll matinee on Saturday, sponsored by Momentum Magazine, featured everything for the bicycle enthusiast: frames, gear, helmets, bags, shoes…you name it, it came down the runway. Major industry players such as Raleigh, Brompton, local Nutcase Helmets and B. Spoke Tailors, as well as Fluevog Shoes (and their new line o
f vegan “Veggie Vogs”) wobbled down the runway on models who had been practicing on the trick bikes for 4 hours prior to the show. The evening show displayed a high quality of craftsmanship and a range of styling including Jantzen Swimwear (celebrating their 100th anniversary based in Portland); Canadian couture and red-carpet designer Jason Matlo and his sequined ready-to-wear party pieces; and Lizzie Parker, who only uses organic and sustainable fabrics for her whimsical, feminine dresses. (photo: the Fluevog Mitte Platform Stiletto)

SUNDAY: PIONEERS IN SUSTAINABILITY
The day that was stole Portland’s heart was most certainly Sunday, when the eco-friendly, sustainable, and ethically-produced Collections were showcased. Pennsylvania-based Jonano and Mountains of the Moon of Chicago showed comfortable basics in subdued colors, interspersed with flirty dresses in pinks and botanical prints. Ethos Paris, a brand based in France founded on a “Trade Not Aid” motto, showcased work-friendly khakis and delicate yellow geometric prints – perfect for the coming season. The certified organic textiles for the clothing was sourced completely in developing nations: cotton from India, raffia from Madagascar, and alpaca from Bolivia. The company insists on paying fair market price for the raw goods and encourages partnerships with its suppliers and the preservation of local craftsmanship.
Finally, the evening’s much-anticipated highlight: local darling Anna Cohen and her new Imperial Collection featuring clothing made with wool sourced from the Imperial Stock Ranch of Central Oregon. The wool for the clothing was raised, sheared, carded, spun into fibers, knitted, loomed, woven, and the resulting textiles sewn ALL locally (i.e., within 100 miles of its origin) – thus keeping the environmental impact of production minimal. Hearing that the ranch’s wool production was threatened by dwindling domestic demand, Cohen – who has had pieces from previous collections featured in Lucky Magazine, The New York Times, and Vogue – embarked on a collaborative journey with the owners to manufacture a clothing collection utilizing the overstocked wool. In contrast to many of the drab browns seen earlier that night, this collection was awash in creams, reds, blacks, and tans; textured coats and sheer blouses, and silhouettes that proved flattering and feminine. (from left: Imperial Collection by Anna Cohen; the owner of the Imperial Stock Ranch of Central Oregon shares the history of the ranch; Jonano; Mountains of the Moon)
FUNKY HAIR AND ECO-FRIENDLY MAKEUP

Hair was coiffed by Portland-based Sidlab Haircouture (who pioneered the paraben-free professional hair care line in the U.S.!), utilizing their Pacifica Sea Salt Spray to give texture and workability to overly-clean hair, and then finished with a spritz of Chic Styling Spray (both $24, EdwardWadsworth.com). Lead stylist Eric Alan Nelson also added small sections of crimping into the models’ sleek hairdos to break up the monotony and add some fun to the style. Sidlab’s sodium lareth sulfate-free and milk-silk protein-rich products are created and packaged on the West Coast in recyclable bottles displaying a pink ribbon to show the company’s support for breast cancer research – a perfect buy for October, National Breast Cancer Awareness Month!
Makeup Artist Sunny Fire created the models’ makeup look by using London-based Boots No7 Foundations and Mascaras, and Vivacious Earthquake Lipstick and Face & Body Glow from her newly relaunched line of Sunny Fire Makeup. Dark smoky eyes accented with smudgy purple shadow, shimmering skin, and a terra cotta matte lip created a sultry and early Spring-like feel. Only available locally at the moment, the Sunny Fire line features minimal packaging, no animal testing, and fully-recyclable containers. (photos via Fashiontribes & OSI Photography)
– Carly J. Cais, Contributing Editor
(CarlyJCais AT Fashiontribes DOT com)
(eco fashion illustration: source)
As published on FashionTribes.com
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Jul 6, 2009 | DIY

Designers appear to have reached into their desk drawers for inspiration this spring, pulling out the New Wave accessory du jour: staples, pins, and zippers utilized in a variety of different ways: exposed, in contrast-color, haphazardly applied as trim, or twisted into 3D shapes. Interestingly, the largest zipper manufacturer in the world, YKK, was one of the official sponsors of Mercedes-Benz Fashion Week in NYC (even the lanyard for the press badge was a zipper). From the staples on Victor & Rolf’s beautifully cut wool jackets to Sex Pistols-style safety pins and cheeky punk jewelry by Tom Binns – thanks to this hot 2009 trend, low is the new high, and the functional…fabulous.
The hardware-heavy, craftsy felt-flower cuff by Marc Jacobs inspired us to staple, zip, and pin our own…here’s how:
WHAT YOU’LL NEED:
– large piece of stiff black felt (8.5″ x 11″)
– black thread
– decorative thread or staples in gold (check the scrapbooking section of the craft store)
– 1 decorative button
– heavy-duty gold snaps (2 sets)
– gold soutache braided trim
– 1 heavy-duty jacket zipper (black with gold teeth)
– gold safety pins (1 large, 15 small)
– clear, flexible plastic (like from a vinyl tabletop cover)
TOOLS:
– snap setting pliers/hammer+die for the snaps
– stapler
– needle
– felt or fabric glue
INSTRUCTIONS:

1. MAKE THE PARTS Cut the felt into 2 abstract, oblong flower “petals” 2 flower “petals”. To make the triangle-shaped petals, cut the plastic into 2 diamond shapes. Cut the zipper into 3 lengths, each piece measuring 10″ long. Fold each length in the center to make a rounded petal shape; secure the inside with 2 gold staples (or hand-sew stitches in decorative thread).
2. MAKE THE CUFF AND BASE From the felt, cut out the base of your flower parts: a circle measuring approximately 1.25″ in diameter. Then cut a 2″ wide strip that is long enough to go around your wrist plus a 3/4″ for overlap for the snaps. Use snap-setting pliers (like Dritz), or hammer and die to set 2 snaps (and their counterparts) into the ends. Because they are strong, we chose shanked snaps; alternatively, you could use sew-on snaps.

3. ADD THE EMBELLISHMENT Using a needle and thread, hand-sew your parts onto the felt base. Start with a felt petal, then a zipper petal, then a plastic petal in a corkscrew design; repeat, attaching each new petal on top of the previous one. Wind the braided trim in and out of the petals in a figure-8 pattern, securing in the center with a few stitches. Then hide all of your stitching with a button sewn into the center. Pin safety pins haphazardly around the edge of one of the felt petals; thread 10 smaller pins onto the larger pin and attach. Complete the look by adding yet more staples or decorative thread.

4. ATTACH BASE TO CUFF Glue felt base to the center of the cuff. Secure further by sewing around edge of the circle base with decorative thread.
To let the cuff rock out on its own, wear with something demure…or do a full-on Marc Jacobs style, with a nipped-in shrunken jacket, mismatched obi belt, super-long denim pencil skirt, and teeny porkpie straw hat set akilter.
Still have questions? Email me at CarlyJCais AT FashionTribes.com. Otherwise, happy DIY-ing!
– Carly J. Cais
(runway photos via style.com)
(As posted on FashionTribes.com)
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Jun 7, 2009 | DIY
(photos: elle.com)
So I posted about these Junko-Watanabe flower-basket-like confections on FashionTribes.com quite a while ago….
And I wanted to post photos and a how-to for what I made, inspired by said flowery things.
Everything’s coming up flowers in the garden…the rhododendrons are beginning to drop…I have a mutant foxglove that’s like 9 feet tall…my rosebushes are slowly succumbing to rose-slugs….but whatcha gonna do. I made these for my feet in-between all the yardwork – and they’re completely maintenance-free.
Here’s how I did it: (sorry for no step-by-step photos; I figured it was self-explanatory;-)
1. To get the look, pick up some inexpensive nude wedge sandals (try Payless, Go Jane, Target, Dorothy Perkins, Charlotte Russe, Topshop) with an earthy or natural vibe such as bamboo or jute espadrille. (Mine are very similar to what I think was I think a Gucci style from like 2003…remember that bamboo heel? Well, they’re TwoLips, and the heel is plastic, so to make it look more bamboo-y, I drew little vertical lines on the heels with my Sharpie. I just love the result!)
2. Using faux flowers from the craft store (Michael’s or Jo-Ann Fabrics, where I grabbed a bunch of morning glories for $2.99), cut and attach to the undersides of the straps and twine them around the heels, affixing with a glue gun.
3. Keep the flower stems from rubbing on the inside of your straps with a strip of moleskin.
4. To prevent unraveling (cuz that’s a lot of strain in a flower stalk that’s technically not supposed to be bent that much!), secure by wrapping the heels with green floral wire here and there (which I realized I forgot to do *before* I took the photo, hello!).
For maximum impact, wear with a breezy frock or sassy short shorts…or a flowered frock for total floral overload!!

Easy, breezy, Springy, and totally chic! What do you think?
Happy DIY’ing!
xoxo
Carly
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